A Discussion on the Renaissance Art and Its Influences Essay

1. The reincarnation style is considered as a collective endeavor related to the reawakening of graphicsistic production particularly drawing, exposure, sculpture, and architecture that revolve around in Italy from 1300-1600 (Cunningham and Reich, 2009, p. 265-266). This movement evolved over the years as flock jade of the medieval life of poverty and sickness started to develop new military personnel beings views. These globe views c reckoned on essential and profound questions related to human beings, their lives, and their purposes in lives. They formed striking similarities to the Greco-Roman intellectual discourses, which were overshadowed during the dark times of the medieval age but rediscovered during the reawakening period of the Renaissance.Experts agreed that the Renaissance movement started in Florence, Italy, then a trading center amid atomic number 63 and the rest of the world and a platform for ex switch over of ideas, purchase of humanities, and direct ion of literary wee-wees (Cunningham and Reich, 2009, p. 267). In Italy, people began to question tradition and authority, centre on life on earth, shape their own destinies, educate their selves and revisit the classical teachings from Greece and Rome. Teachings from Italy were then dispersed elsewhere in Europe and the world through the printing press, a revolutionary invention during the Renaissance (Cunningham and Reich, 2009, p. 265). key more Homelessness as a social problem Essay iodin example of a Renaissance art that is a symbol of the internal health of the people during that era was Raphaels School of capital of Greece (Cunningham and Reich, 2009, p. 315). This painting pictured the great minds who existed in the city of Athens in Greece Socrates, Plato and Aristotle who were poised in what appeared to be a school. In the painting, the great minds seemed to be charmed in a lively exchange of ideas. Experts utter that School of Athens attempted to show that the anc ient greats of Greece were as good as the Renaissance men of Leonardo, Raphael and Michelangelo. In fact in the painting, the three Renaissance artists were vatical to be Socrates, Plato and Aristotle.A nonher example of a Renaissance art that incarnate the dynamism and transformation peculiar to the period was the sculpture of Michelangelo of David when the artist was at a relatively young age of 26 (Cunningham and Reich, 2009, p. 286). David was pictured as a civilized and a thinking individual who contemplates on challenges without right away resorting to unnecessary brute. David was said to represent the brightness of the Renaissance man. It was also said to epitomize the confidence that the people then were feeling in influencing their destinies in terms of trouncing evil and gaining victories.Renaissance humanism is a conception that sprang during this period. This notion placed emphasis on the capacity of human beings to alter their future without overreliance on the chu rch (Cunningham and Reich, 2009, p. 287). Although much of the art plant life had spectral themes, the works portrayed religious icons as humans. Such portrayal do light of the religious canons imposed by the church. Instead, the portrayal highlighted the human living and its capacity to elevate to great heights. One example of an art work that displayed humanism was Sandro Botticellis Birth of Venus, which depicted the goddess as an innocent woman with the use of pastel colors. Another example is Simone Martinis Annunciation, where an angel multicolour in realistic human dimensions and air appeared to tell Mary that she ordain bear divinity fudges son.The rebirth of the artistic movement in Italy was largely attributed to the successful business community in the city of Florence who fed, trained, educated and provided for the introductory needs of the artists (Cunningham and Reich, 2009, p. 268). These patrons commissioned works based on clear-cut agreements. The powers of these businessmen from the Medici family stretched all the way to Rome, allowing many artists to secure contracts to accomplish religious works of arts for the Catholic church service. The patronage of the Medici family for the artists was crucial to the Renaissance as artists were majestic to a stature important to the beautification and strengthening of the culture of Florence. When the Medici family declined, artists went to Rome where they trustworthy the patronage of the pope (Weekly Lectures, n.d.).3. Prior to the Protestant Reformation, there had been a red and widespread sentiment about the perceived abuses of the Catholic Church (Cunningham and Reich, 2009, p. 240). mint felt that the continueers of the church were leading extravagant lives that contrasted with the generally modest, if not poor, living of the majority of the people. There were classes within the population that wanted to lead towards positive change. People were also weary of being caught in the cr oss-fire of conflicts between the Catholic Church and Kings, both desired power and wealth. To top these transfer, people were staring to change their beliefs about the capabilities of human beings during the Renaissance.These situations were the precursors to the ushering of the Protestant Reformation, which was set off by German monk Martin Luther. Luther questioned the corruption and moral degradation in Rome and in the whole of the Catholic Church through his publications in The 95 Theses. The Church however was not willing to change its ways. It then financed the Counter-Reformation (Cunningham and Reich, 2009, p. 297).Immediately, art became the medium of propagating the beliefs of the Protestants, who had their bailiwicks in northern Europe, and Catholics, whose strongholds were in the south. For the Catholics, art moldiness focus on religious content with certain symbolisms that lard the holiness of the confine. The Catholic art was similar to the art that had prevailed in the in-between Ages. For the Protestants, Catholic religious contents in arts were idolatrous that must be destroyed through iconoclastic movements during the Protestant Reformation. The Protestant art was similar to the art of the humanist Renaissance artists who depicted contents in realistic settings.As a response to the Protestant Reformation, the Catholic Church introduced a Counter-Reformation. It instituted a few changes within the church but became more austere in regulating heresy. Regulations covered the arts, sending Catholic painters to sustain religious contents similar to those done during the Middle Ages.Content in arts was the distinguishing factor between the Reformation and the Counter-Reformation. For the Protestants during the Reformation, paintings centered on ordinary activities of everyday existence. Occasionally, paintings drawn out of scenes from the Bible were made. However, these paintings depicted the religious contents in a humanistic manner. Simp le scenes found in regular occasions were also contained in paintings. Generally, the contents did not attempt to promulgate contents through symbols.For the Catholics during the Counter-Reformation, paintings focused on idealized religious contents that contained symbolisms of holiness, omnipotence, and great glory. These religious contents were idealized in terms of appearance and the environment in which they were depicted to move. Painters did not paint flaws. They give carewise veered from joint scenes experienced by common people. Some of the religious contents depicted in the Counter-Reformation included Catholic saints, sacraments, traditions, and codes of belief taught by the Catholic Church.The arts during Protestant Reformation and Counter-Reformation were divergent largely because of the opposing world views espoused by the Protestants and the Catholics. On one hand, the Protestants believed that man could shape his destiny and approach God because the sacrifices of Christ were enough to save human souls. On the other hand, the Catholics believed that intermediaries like saints and the Virgin Mary were needed to help Catholics approach God and enter the gates of heaven.Because intermediaries were needed, Catholics created relics where divine powers were supposed to reside. A form of these relics is a common painting created during Reformation. Catholics worshipped the relics and sought from these relics intervention in order to rag the graces of God. Because Protestants believed in the value of man and Christs sacrifices, they loathed these relics and called these relics channels of idolatry.